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Texas Frightmare Weekend Schedule :: David Clennon #604




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David Clennon #604

Appearing Fri,Sat,Sun

Buying a ticket to Texas Frightmare Weekend is not a guarantee that you will meet any celebrity guest.
Admission to the event does not include autographs, professional photo ops, photos with guests or any merchandise.
Demand for some guests may be particularly high and it may be impossible for an individual guest to meet every attendee that wants to meet them.
VIP passholders will receive priority line placement as designated by event.
Autograph pricing and Table/Selfie Photo (if offered) is determined at event, by guest/their management.
PLEASE NOTE: Autographs are sold by the guests and their management; therefore, Texas Frightmare Weekend does not guarantee that pricing will be made available prior to the event. Additionally, autograph prices are determined by the quests and/or their management; all prices are subject to change without warning at any time.
A tall, lean, sometimes bearded actor with a career lasting more than forty years, David Clennon is also a very vocal political agitator. In 1967, during the most savage years of U.S. aggression against Vietnam, Clennon turned in his Selective Service System identification card (a federal felony) and joined the draft resistance movement. His anti-war, anti-draft activities are included in the book "Confronting the War Machine," by Michael Foley. Appearing in Sam Shepard's "The Unseen Hand" in 1970, he began to establish himself in off-Broadway theater. He also performed in several regional theatres, and on Broadway, in Chekov's "The Cherry Orchard" (1977). He began his film career as a background actor in "The Way We Were" (1973). His first speaking role was in "The Paper Chase" (also 1973).

As his career developed, he always tried to follow his moral and political convictions. He has turned down roles in films (e.g., "Just Cause," which promoted the death penalty) and television (e.g., Fox's "24," which promoted torture). In 2018, Clennon engaged in a campaign to alert Emmy voters to the half-truths, distortions and omissions in Ken Burns' PBS series "The Vietnam War," which is nominated for four Emmys. (It received none.) He has been arrested for civil disobedience, and he has clashed with the Hollywood establishment.

In spite of the prevalence of type-casting, David has managed to demonstrate considerable versatility. To every role that he plays, he tries to bring a sense of reality and a spark of humanity. He tends to be cast as educated, white-collar characters, but he occasionally breaks that mold with working class characters like Palmer in John Carpenter's "The Thing (1982)." He got his first film role in 1973 in "The Paper Chase" and followed up with Bound for Glory (1976), "Coming Home" (1978), and "Being There" (1979). In his movies, he has worked with Jack Lemmon, Sissy Spacek, Meryl Streep, and Susan Sarandon. He moved into TV in the drama "The Migrants" and, with several roles, in the classic comedy "Barney Miller. He is most famous for his role as Miles Dentrell on the acclaimed drama thirtysomething (1987).

David was a regular on the CBS series "The Agency" (2001) playing the computer and forgery expert Joshua Nankin. When he publicly criticized the show for its pro-CIA slant, and its propaganda supporting George Bush's invasion of Iraq, he was attacked by Sean Hannity (with actor James Woods piling on) and political consultant Dick Morris.

Clennon appeared in three films by the late Hal Ashby and four by Costa-Gavras. He lists among his favorite films (or roles) "Being There," "Coming Home," "Go Tell the Spartans," "Missing," "Sweet Dreams," "Dos Crimenes" (Mexico), "Silver City," (Mort Seymour) "Syriana" and, of course, "The Thing" (Palmer).

In 2019, Clennon refused to audition for the upcoming Netflix series "Hit and Run" because it is co-produced by an Israeli company and he chose not to work under the authority of what he calls "a racist, apartheid state."
- IMDb Mini Biography By: Carly & Dave Clennon

5:00 pm

Autograph Sessions :: Level 1, Exhibit Hall
Bonnie Aarons #629, 631, Charles Band #127, Dakota Beavers #609, Harrod Blank #709, Jeffrey Byron #137, Larry Wade Carrell #507, Nick Castle #700, 701, David Clennon #604, Christopher Collet #807, James Jude Courtney #704, 705, Grant Cramer #716, Charles Cyphers #632, 634, Malcolm Danare #616, Keith David #600, 602, Eileen Dietz #644, Dane DiLiegro #611, Andrew Divoff #613, Amie Donald #802, Karen Fields #808, Zach Galligan #626, Harry Goaz #646, Naomi Grossman #640, 642, Ed Guinn #533, Katherine Kamhi #809, John Kassir #811, Sheryl Lee #648, Damien Leone #637, 639, Nancy Loomis #636, 638, Quinn Lord #621, 623, Peter Maloney #610, Mike Martinez #710, Richard Masur #612, 614, John Allen Nelson #707, William Ostrander #618, Joel Polis #608, Billy Pon #548, Ted Raimi #655, Andrew Robinson #635, Tom Savini #622, 624, Michael Siegel #708, Suzanne Snyder #714, P.J. Soles #702, 703, Barbara Steele #717, Tyler Tackett #507, Steve Tash #620, David Howard Thornton #641, 643, Tom Van Dell #810, Tim Vigil #455, Cerina Vincent #657, Thomas G. Waites #606, Alex Winter #625, 627, Ray Wise #650, Charles Chiodo #711, Edward Chiodo #712, Stephen Chiodo #713, Zeph E. Daniel #507, Kitty Korvette #501, Kelley Wilson Robinson #548
Friday May 26, 2023 :: 5:00 pm to 11:00 pm
Details

10:00 am

Autograph Sessions :: Level 1, Exhibit Hall
Bonnie Aarons #629, 631, Charles Band #127, Dakota Beavers #609, Harrod Blank #709, Jeffrey Byron #137, Larry Wade Carrell #507, Nick Castle #700, 701, David Clennon #604, Christopher Collet #807, James Jude Courtney #704, 705, Grant Cramer #716, Charles Cyphers #632, 634, Malcolm Danare #616, Keith David #600, 602, Eileen Dietz #644, Dane DiLiegro #611, Andrew Divoff #613, Amie Donald #802, Karen Fields #808, Zach Galligan #626, Harry Goaz #646, Naomi Grossman #640, 642, Ed Guinn #533, Katherine Kamhi #809, John Kassir #811, Sheryl Lee #648, Damien Leone #637, 639, Nancy Loomis #636, 638, Quinn Lord #621, 623, Peter Maloney #610, Mike Martinez #710, Richard Masur #612, 614, Teri McMinn #238, Amber Midthunder #605, 607, John Allen Nelson #707, William Ostrander #618, Joel Polis #608, Billy Pon #548, Ted Raimi #655, Andrew Robinson #635, Felissa Rose #806, Raimi Sam Autograph Purchase Booth #652, 654, Tom Savini #622, 624, Michael Siegel #708, Suzanne Snyder #714, P.J. Soles #702, 703, Barbara Steele #717, Tyler Tackett #507, Steve Tash #620, David Howard Thornton #641, 643, Tom Van Dell #810, Tim Vigil #455, Cerina Vincent #657, Thomas G. Waites #606, Alex Winter #625, 627, Ray Wise #650, Lyle Blackburn #503, Charles Chiodo #711, Edward Chiodo #712, Stephen Chiodo #713, Zeph E. Daniel #507, Kitty Korvette #501, Ed Neal #535, 537, Kelley Wilson Robinson #548
Saturday May 27, 2023 :: 10:00 am to 7:00 pm
Details

4:00 pm

It's Weird and It's Pissed Off: 40 Years of THE THING :: Grand Ballroom, Alamo Drafthouse Screening and Panel Room
David Clennon #604, Keith David #600, 602, Peter Maloney #610, Richard Masur #612, 614, Joel Polis #608, Thomas G. Waites #606, Paul Salfen
Saturday May 27, 2023 :: 4:00 pm
Details

10:00 am

Autograph Sessions :: Level 1, Exhibit Hall
Bonnie Aarons #629, 631, Dakota Beavers #609, Harrod Blank #709, Jeffrey Byron #137, Larry Wade Carrell #507, Nick Castle #700, 701, David Clennon #604, Christopher Collet #807, James Jude Courtney #704, 705, Grant Cramer #716, Charles Cyphers #632, 634, Malcolm Danare #616, Keith David #600, 602, Eileen Dietz #644, Dane DiLiegro #611, Andrew Divoff #613, Amie Donald #802, Karen Fields #808, Zach Galligan #626, Harry Goaz #646, Naomi Grossman #640, 642, Ed Guinn #533, Katherine Kamhi #809, John Kassir #811, Sheryl Lee #648, Damien Leone #637, 639, Nancy Loomis #636, 638, Quinn Lord #621, 623, Peter Maloney #610, Mike Martinez #710, Richard Masur #612, 614, David Morrissey, John Allen Nelson #707, William Ostrander #618, Joel Polis #608, Billy Pon #548, Ted Raimi #655, Andrew Robinson #635, Tom Savini #622, 624, Michael Siegel #708, Suzanne Snyder #714, P.J. Soles #702, 703, Barbara Steele #717, Tyler Tackett #507, Steve Tash #620, David Howard Thornton #641, 643, Tom Van Dell #810, Tim Vigil #455, Cerina Vincent #657, Thomas G. Waites #606, Alex Winter #625, 627, Ray Wise #650, Charles Chiodo #711, Edward Chiodo #712, Stephen Chiodo #713, Zeph E. Daniel #507, Kitty Korvette #501, Chuck Norfolk, Courtney Sandifer, Kelley Wilson Robinson #548
Sunday May 28, 2023 :: 10:00 am to 5:00 pm
Details

Taking of photographs and the use of recording devices in the screening and panel room (Grand Ballroom, Level 4) is strictly prohibited. Attendees, members of the media and all other individuals may not record or photograph in this room at any time without express written permission from Texas Frightmare Weekend. This includes panels, Q&A's, movie screenings and any other event taking place in this room. Anyone caught filming movies will be escorted from the show.

Additionally, All schedules are posted approximately 2-3 weeks prior to the event. In most cases, the schedule is not posted any earlier due to continuing guest additions. If schedules were posted earlier, they would be invalid by the time the event approaches. Dates and times subject to change without notice. Seating for all panels and screenings are limited and buying a ticket to the convention does not guarantee seating. Panels and screenings are usually not full and have plenty of empty seats. However, some may be very popular and fill up very quickly. We reserve the right to clear the room prior to any screening or panel to make sure that attendees waiting in line are able to be seated. Please do not sit in on a panel prior to the one you really want to see to try and hold a seat(s). Plan your attendance accordingly.