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Texas Frightmare Weekend Schedule :: Harrod Blank #709




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Harrod Blank #709

Appearing Fri,Sat,Sun

Buying a ticket to Texas Frightmare Weekend is not a guarantee that you will meet any celebrity guest.
Admission to the event does not include autographs, professional photo ops, photos with guests or any merchandise.
Demand for some guests may be particularly high and it may be impossible for an individual guest to meet every attendee that wants to meet them.
VIP passholders will receive priority line placement as designated by event.
Autograph pricing and Table/Selfie Photo (if offered) is determined at event, by guest/their management.
PLEASE NOTE: Autographs are sold by the guests and their management; therefore, Texas Frightmare Weekend does not guarantee that pricing will be made available prior to the event. Additionally, autograph prices are determined by the quests and/or their management; all prices are subject to change without warning at any time.


Harrod Blank is a California native who grew up in the Bonny Doon Mountains of Santa Cruz, where he attended high school and college. In 1989, he moved to Berkeley, where he currently lives part-time.


When Harrod Blank first realized that his '65 VW Beetle could be treated as a canvas, the result was "Oh My God!". Painted like a beach ball with a bumper of plastic fruit & rubber chickens, a chalkboard on back and a TV on the roof, the car was the catalyst for his remarkable career.

Initially, Blank thought he was the only one in the world with an Art Car, and at times felt quite alienated. This would change, as he gradually learned from supporters that there were other such cars, spread out across the country. Drawing from what he had learned from his father, filmmaker Les Blank, and the BA in Theater Arts/Film he earned at UC Santa Cruz in 1986, Blank began photographing other Art Cars. Subsequently, he raised money through private investors and took out loans as needed to finance the 64-minute documentary he dreamed of making: Wild Wheels (1992).

To his credit, over 55 million people worldwide have now seen the film. Blank initially distributed "Wild Wheels", featuring 46 Art Cars and their respective artists, by driving "Oh My God!" with the film to 50 cities across the country. Publicity from the tour gained the interest of PBS, which broadcast the film repeatedly as a National Special in 1993. The following year, Blank's photography was featured in a companion book, "Wild Wheels" (Pomegranate, 1994; Blank Books, 2001), which was named "Best Book for Young Adults" by the American Library Association.

Blending his passion for Art Cars and his love of photography, Blank was inspired by a dream to attach 1,705 cameras to a 1972 Dodge van. Cleverly hiding ten working cameras among the rest, Blank had finally found a way to capture on film the public's candid expressions of awe and delight. In 1995, Blank drove the "Camera Van" to New York City for its official "debut" and shot over 5,000 photographs for a photography exhibit, "I've Got A Vision".

In 1995, still enthusiastic about the beauty and power of Art Cars, Blank began production of a feature-length sequel to Wild Wheels (1992). A short version of the film (Driving the Dream (1998), 29 minutes) was broadcast on TBS's National Geographic Explorer in October 1997 to help raise money for the epic feature-length film, Automorphosis (2009), was premiered January 2009 at the Santa Barbara International Film Festival. Thirteen years in the making, "Automorphosis" is considered Harrod's life's work up to this point.

Blank made his third Art Car in 1998, an interactive mariachi-themed music mobile called "Pico De Gallo", later unveiled in his new book, "Art Cars: the Cars, the Artists, the Obsession, the Craft" (Lark Books, 2002). Gene Shalit heralded the book on the Today (1952) Show as his favorite holiday gift suggestion. The Petersen Automotive Museum hosted a major exhibition of Art Cars in Spring 2003, of which Harrod Blank was Guest Curator.

As of July 2010, Blank is releasing Automorphosis (2009), and is editing "Burning Man: the Movie", a documentary film thirteen years in the making about the radical arts festival.

- IMDb Mini Biography By: Harrod Blank

5:00 pm

Autograph Sessions :: Level 1, Exhibit Hall
Bonnie Aarons #629, 631, Charles Band #127, Dakota Beavers #609, Harrod Blank #709, Jeffrey Byron #137, Larry Wade Carrell #507, Nick Castle #700, 701, David Clennon #604, Christopher Collet #807, James Jude Courtney #704, 705, Grant Cramer #716, Charles Cyphers #632, 634, Malcolm Danare #616, Keith David #600, 602, Eileen Dietz #644, Dane DiLiegro #611, Andrew Divoff #613, Amie Donald #802, Karen Fields #808, Zach Galligan #626, Harry Goaz #646, Naomi Grossman #640, 642, Ed Guinn #533, Katherine Kamhi #809, John Kassir #811, Sheryl Lee #648, Damien Leone #637, 639, Nancy Loomis #636, 638, Quinn Lord #621, 623, Peter Maloney #610, Mike Martinez #710, Richard Masur #612, 614, John Allen Nelson #707, William Ostrander #618, Joel Polis #608, Billy Pon #548, Ted Raimi #655, Andrew Robinson #635, Tom Savini #622, 624, Michael Siegel #708, Suzanne Snyder #714, P.J. Soles #702, 703, Barbara Steele #717, Tyler Tackett #507, Steve Tash #620, David Howard Thornton #641, 643, Tom Van Dell #810, Tim Vigil #455, Cerina Vincent #657, Thomas G. Waites #606, Alex Winter #625, 627, Ray Wise #650, Charles Chiodo #711, Edward Chiodo #712, Stephen Chiodo #713, Zeph E. Daniel #507, Kitty Korvette #501, Kelley Wilson Robinson #548
Friday May 26, 2023 :: 5:00 pm to 11:00 pm
Details

10:00 am

Autograph Sessions :: Level 1, Exhibit Hall
Bonnie Aarons #629, 631, Charles Band #127, Dakota Beavers #609, Harrod Blank #709, Jeffrey Byron #137, Larry Wade Carrell #507, Nick Castle #700, 701, David Clennon #604, Christopher Collet #807, James Jude Courtney #704, 705, Grant Cramer #716, Charles Cyphers #632, 634, Malcolm Danare #616, Keith David #600, 602, Eileen Dietz #644, Dane DiLiegro #611, Andrew Divoff #613, Amie Donald #802, Karen Fields #808, Zach Galligan #626, Harry Goaz #646, Naomi Grossman #640, 642, Ed Guinn #533, Katherine Kamhi #809, John Kassir #811, Sheryl Lee #648, Damien Leone #637, 639, Nancy Loomis #636, 638, Quinn Lord #621, 623, Peter Maloney #610, Mike Martinez #710, Richard Masur #612, 614, Teri McMinn #238, Amber Midthunder #605, 607, John Allen Nelson #707, William Ostrander #618, Joel Polis #608, Billy Pon #548, Ted Raimi #655, Andrew Robinson #635, Felissa Rose #806, Raimi Sam Autograph Purchase Booth #652, 654, Tom Savini #622, 624, Michael Siegel #708, Suzanne Snyder #714, P.J. Soles #702, 703, Barbara Steele #717, Tyler Tackett #507, Steve Tash #620, David Howard Thornton #641, 643, Tom Van Dell #810, Tim Vigil #455, Cerina Vincent #657, Thomas G. Waites #606, Alex Winter #625, 627, Ray Wise #650, Lyle Blackburn #503, Charles Chiodo #711, Edward Chiodo #712, Stephen Chiodo #713, Zeph E. Daniel #507, Kitty Korvette #501, Ed Neal #535, 537, Kelley Wilson Robinson #548
Saturday May 27, 2023 :: 10:00 am to 7:00 pm
Details

10:00 am

Autograph Sessions :: Level 1, Exhibit Hall
Bonnie Aarons #629, 631, Dakota Beavers #609, Harrod Blank #709, Jeffrey Byron #137, Larry Wade Carrell #507, Nick Castle #700, 701, David Clennon #604, Christopher Collet #807, James Jude Courtney #704, 705, Grant Cramer #716, Charles Cyphers #632, 634, Malcolm Danare #616, Keith David #600, 602, Eileen Dietz #644, Dane DiLiegro #611, Andrew Divoff #613, Amie Donald #802, Karen Fields #808, Zach Galligan #626, Harry Goaz #646, Naomi Grossman #640, 642, Ed Guinn #533, Katherine Kamhi #809, John Kassir #811, Sheryl Lee #648, Damien Leone #637, 639, Nancy Loomis #636, 638, Quinn Lord #621, 623, Peter Maloney #610, Mike Martinez #710, Richard Masur #612, 614, David Morrissey, John Allen Nelson #707, William Ostrander #618, Joel Polis #608, Billy Pon #548, Ted Raimi #655, Andrew Robinson #635, Tom Savini #622, 624, Michael Siegel #708, Suzanne Snyder #714, P.J. Soles #702, 703, Barbara Steele #717, Tyler Tackett #507, Steve Tash #620, David Howard Thornton #641, 643, Tom Van Dell #810, Tim Vigil #455, Cerina Vincent #657, Thomas G. Waites #606, Alex Winter #625, 627, Ray Wise #650, Charles Chiodo #711, Edward Chiodo #712, Stephen Chiodo #713, Zeph E. Daniel #507, Kitty Korvette #501, Chuck Norfolk, Courtney Sandifer, Kelley Wilson Robinson #548
Sunday May 28, 2023 :: 10:00 am to 5:00 pm
Details

2:00 pm

In Space No One Can Eat Ice Cream: 35 Years of KILLER KLOWNS FROM OUTER SPACE :: Grand Ballroom, Alamo Drafthouse Screening and Panel Room
Harrod Blank #709, Grant Cramer #716, Mike Martinez #710, John Allen Nelson #707, Michael Siegel #708, Suzanne Snyder #714, Charles Chiodo #711, Edward Chiodo #712, Stephen Chiodo #713, James Wallace
Sunday May 28, 2023 :: 2:00 pm
Details

Taking of photographs and the use of recording devices in the screening and panel room (Grand Ballroom, Level 4) is strictly prohibited. Attendees, members of the media and all other individuals may not record or photograph in this room at any time without express written permission from Texas Frightmare Weekend. This includes panels, Q&A's, movie screenings and any other event taking place in this room. Anyone caught filming movies will be escorted from the show.

Additionally, All schedules are posted approximately 2-3 weeks prior to the event. In most cases, the schedule is not posted any earlier due to continuing guest additions. If schedules were posted earlier, they would be invalid by the time the event approaches. Dates and times subject to change without notice. Seating for all panels and screenings are limited and buying a ticket to the convention does not guarantee seating. Panels and screenings are usually not full and have plenty of empty seats. However, some may be very popular and fill up very quickly. We reserve the right to clear the room prior to any screening or panel to make sure that attendees waiting in line are able to be seated. Please do not sit in on a panel prior to the one you really want to see to try and hold a seat(s). Plan your attendance accordingly.