Back to Full Schedule

Texas Frightmare Weekend Schedule :: Tom Savini #622, 624




Browse Guests

Tom Savini #622, 624

Appearing Fri,Sat,Sun

Buying a ticket to Texas Frightmare Weekend is not a guarantee that you will meet any celebrity guest.
Admission to the event does not include autographs, professional photo ops, photos with guests or any merchandise.
Demand for some guests may be particularly high and it may be impossible for an individual guest to meet every attendee that wants to meet them.
VIP passholders will receive priority line placement as designated by event.
Autograph pricing and Table/Selfie Photo (if offered) is determined at event, by guest/their management.
PLEASE NOTE: Autographs are sold by the guests and their management; therefore, Texas Frightmare Weekend does not guarantee that pricing will be made available prior to the event. Additionally, autograph prices are determined by the quests and/or their management; all prices are subject to change without warning at any time.
Actor/SFX wizard/stuntman/director Tom Savini was born in Pittsburgh. Inspired by the film Man of a Thousand Faces (1957), a young Savini became fascinated with the magic and illusion of film. He spent his youth in his room creating characters by tirelessly practicing make-up. Later, as a combat photographer in Vietnam, Savini saw first-hand the gruesome carnage for which he later gained fame, simulating it on screen.

He has acquired a remarkable cult following among film fans, primarily due to his ground-breaking SFX in the "splatter movie" explosion of the early 1980s. Along with fellow special make-up legends Dick Smith and Rob Bottin, Savini was one of the key SFX people behind the startling make-up & EFX seen in the fantasy/horror genre films of the 1980s-'90s. Savini was heavily influenced by the remarkable silent-era actor Lon Chaney, and he sought to emulate the amazing theatrical make-up effects that were a hallmark of Chaney's career. In Savini's insightful book "Grande Illusions", he speaks of his early attempts at applying prosthetics to his face using "spearmint gum", having misinterpreted that he was meant to actually use "spirit gum"! His first work was in low-budget fare, providing SFX and make-up for independently made horror films such as Deranged: Confessions of a Necrophile (1974) and Martin (1976).

He really caught the attention of horror buffs with his grisly effects in the cult George A. Romero-directed zombie film Dawn of the Dead (1978), and then in the controversial slasher film Friday the 13th (1980), the movie generally identified as the kickstart for the aforementioned "splatter movie" genre. Savini also contributed the incredible EFX & make-up to other splatter thrillers such as Maniac (1980), The Burning (1981), Creepshow (1982) and Romero's third "Dead" film, Day of the Dead (1985) (for which he won a Saturn Award). In 1990, Savini directed his feature film debut Night of the Living Dead (1990), the remake of the original zombie-classic.

Not content with only being behind the lens, however, Savini has appeared in dozens of films, and can be seen demonstrating his capable acting skills as "Morgan, the Black Knight" in Knightriders (1981), as "Blades", one of the biker gang members in Dawn of the Dead (1978) and as "Sex Machine", another leather-clad biker--but this time with a groin-mounted gun--in the wild vampire film From Dusk Till Dawn (1996).
- IMDb Mini Biography By: firehouse44@hotmail.com

5:00 pm

Autograph Sessions :: Level 1, Exhibit Hall
Bonnie Aarons #629, 631, Charles Band #127, Dakota Beavers #609, Harrod Blank #709, Jeffrey Byron #137, Larry Wade Carrell #507, Nick Castle #700, 701, David Clennon #604, Christopher Collet #807, James Jude Courtney #704, 705, Grant Cramer #716, Charles Cyphers #632, 634, Malcolm Danare #616, Keith David #600, 602, Eileen Dietz #644, Dane DiLiegro #611, Andrew Divoff #613, Amie Donald #802, Karen Fields #808, Zach Galligan #626, Harry Goaz #646, Naomi Grossman #640, 642, Ed Guinn #533, Katherine Kamhi #809, John Kassir #811, Sheryl Lee #648, Damien Leone #637, 639, Nancy Loomis #636, 638, Quinn Lord #621, 623, Peter Maloney #610, Mike Martinez #710, Richard Masur #612, 614, John Allen Nelson #707, William Ostrander #618, Joel Polis #608, Billy Pon #548, Ted Raimi #655, Andrew Robinson #635, Tom Savini #622, 624, Michael Siegel #708, Suzanne Snyder #714, P.J. Soles #702, 703, Barbara Steele #717, Tyler Tackett #507, Steve Tash #620, David Howard Thornton #641, 643, Tom Van Dell #810, Tim Vigil #455, Cerina Vincent #657, Thomas G. Waites #606, Alex Winter #625, 627, Ray Wise #650, Charles Chiodo #711, Edward Chiodo #712, Stephen Chiodo #713, Zeph E. Daniel #507, Kitty Korvette #501, Kelley Wilson Robinson #548
Friday May 26, 2023 :: 5:00 pm to 11:00 pm
Details

10:00 am

Autograph Sessions :: Level 1, Exhibit Hall
Bonnie Aarons #629, 631, Charles Band #127, Dakota Beavers #609, Harrod Blank #709, Jeffrey Byron #137, Larry Wade Carrell #507, Nick Castle #700, 701, David Clennon #604, Christopher Collet #807, James Jude Courtney #704, 705, Grant Cramer #716, Charles Cyphers #632, 634, Malcolm Danare #616, Keith David #600, 602, Eileen Dietz #644, Dane DiLiegro #611, Andrew Divoff #613, Amie Donald #802, Karen Fields #808, Zach Galligan #626, Harry Goaz #646, Naomi Grossman #640, 642, Ed Guinn #533, Katherine Kamhi #809, John Kassir #811, Sheryl Lee #648, Damien Leone #637, 639, Nancy Loomis #636, 638, Quinn Lord #621, 623, Peter Maloney #610, Mike Martinez #710, Richard Masur #612, 614, Teri McMinn #238, Amber Midthunder #605, 607, John Allen Nelson #707, William Ostrander #618, Joel Polis #608, Billy Pon #548, Ted Raimi #655, Andrew Robinson #635, Felissa Rose #806, Raimi Sam Autograph Purchase Booth #652, 654, Tom Savini #622, 624, Michael Siegel #708, Suzanne Snyder #714, P.J. Soles #702, 703, Barbara Steele #717, Tyler Tackett #507, Steve Tash #620, David Howard Thornton #641, 643, Tom Van Dell #810, Tim Vigil #455, Cerina Vincent #657, Thomas G. Waites #606, Alex Winter #625, 627, Ray Wise #650, Lyle Blackburn #503, Charles Chiodo #711, Edward Chiodo #712, Stephen Chiodo #713, Zeph E. Daniel #507, Kitty Korvette #501, Ed Neal #535, 537, Kelley Wilson Robinson #548
Saturday May 27, 2023 :: 10:00 am to 7:00 pm
Details

10:00 am

Autograph Sessions :: Level 1, Exhibit Hall
Bonnie Aarons #629, 631, Dakota Beavers #609, Harrod Blank #709, Jeffrey Byron #137, Larry Wade Carrell #507, Nick Castle #700, 701, David Clennon #604, Christopher Collet #807, James Jude Courtney #704, 705, Grant Cramer #716, Charles Cyphers #632, 634, Malcolm Danare #616, Keith David #600, 602, Eileen Dietz #644, Dane DiLiegro #611, Andrew Divoff #613, Amie Donald #802, Karen Fields #808, Zach Galligan #626, Harry Goaz #646, Naomi Grossman #640, 642, Ed Guinn #533, Katherine Kamhi #809, John Kassir #811, Sheryl Lee #648, Damien Leone #637, 639, Nancy Loomis #636, 638, Quinn Lord #621, 623, Peter Maloney #610, Mike Martinez #710, Richard Masur #612, 614, David Morrissey, John Allen Nelson #707, William Ostrander #618, Joel Polis #608, Billy Pon #548, Ted Raimi #655, Andrew Robinson #635, Tom Savini #622, 624, Michael Siegel #708, Suzanne Snyder #714, P.J. Soles #702, 703, Barbara Steele #717, Tyler Tackett #507, Steve Tash #620, David Howard Thornton #641, 643, Tom Van Dell #810, Tim Vigil #455, Cerina Vincent #657, Thomas G. Waites #606, Alex Winter #625, 627, Ray Wise #650, Charles Chiodo #711, Edward Chiodo #712, Stephen Chiodo #713, Zeph E. Daniel #507, Kitty Korvette #501, Chuck Norfolk, Courtney Sandifer, Kelley Wilson Robinson #548
Sunday May 28, 2023 :: 10:00 am to 5:00 pm
Details

Taking of photographs and the use of recording devices in the screening and panel room (Grand Ballroom, Level 4) is strictly prohibited. Attendees, members of the media and all other individuals may not record or photograph in this room at any time without express written permission from Texas Frightmare Weekend. This includes panels, Q&A's, movie screenings and any other event taking place in this room. Anyone caught filming movies will be escorted from the show.

Additionally, All schedules are posted approximately 2-3 weeks prior to the event. In most cases, the schedule is not posted any earlier due to continuing guest additions. If schedules were posted earlier, they would be invalid by the time the event approaches. Dates and times subject to change without notice. Seating for all panels and screenings are limited and buying a ticket to the convention does not guarantee seating. Panels and screenings are usually not full and have plenty of empty seats. However, some may be very popular and fill up very quickly. We reserve the right to clear the room prior to any screening or panel to make sure that attendees waiting in line are able to be seated. Please do not sit in on a panel prior to the one you really want to see to try and hold a seat(s). Plan your attendance accordingly.